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The
story starts in a university town in 1910, where two students, boy and girl, embrace
the revolution and one another. He is unable to prevent her from attempting to
throw a bomb; she is caught, and exiled to Siberia. The main tale picks up
nine years later in Yazyk, a remote Siberian village. Sitting on the edge of civilisation
the place is home to a deranged Czech commander and his troops, men dispirited
by a war that has stretched on for too long and horrors in their background they
keep trying to forget. Unlike their power-hungry leader they just want to go home.
Alongside these inhabitants Yazyk has attracted a Christian cult, men and women
who've castrated themselves in an attempt to become closer to God. Anna is a beautiful
young war-widow, neither soldier nor cultist, who keeps her reasons for living
here a closely guarded secret. Dreaming of a better life, she struggles to bring
up her young son as best she can. A precarious balance in the town is upset
when a ragged-looking man appears from the forest. Samarin claims to be a revolutionary
who has escaped from an Arctic prison. Anna takes a shine to the new arrival but
when a local shaman is found dead, suspicion and terror engulf the little town.
Samarin faces trial. As his incredible story emerges we hear of the terrible
Winter Garden, where he was held, and another prisoner, The Mohican, a cannibal
who helped him escape the jail in order that he might eat Samarin as food for
his journey. The cannibal is a day behind, he warns, and the town must prepare
itself for his arrival.The quartet at the centre of the story consists of Anna,
a photographer and romantic; her ex-husband, Balashov, an ex-Cossack horseman
who has become a castrate and the leader of the local cult; and Anna's two lovers,
one a decent Czech soldier, Mutz; and the other Samarin, who beneath his irresistible
charisma will stop at nothing to see his political ideals realised. The story
thunders forward as revelations about the lives and loves of the central characters
are revealed. Most nail-biting of all is the discovery, after Anna has invited
Samarin to take refuge in her house, that Samarin is the boy student from the
start of the book and that he and The Mohican are one and the same person. Anna
flirts with the cannibal in her house, unaware. Then Yazyk falls under attack
from the Red army stationed just kilometres away along the Trans-Siberian railway.
In an explosive climax, Samarin takes Anna's son hostage and hijacks a train in
order to flee the town. The boy gets hurt and at the last minute he cannot bring
himself to put the life of this boy before his own ideals. Meanwhile Anna's emasculated
ex-husband renounces his submissive vows and in an act certain to lead to his
own death, slices off the head of the bullying Czech commander. The book ends
with the Red army taking over the town, the Czechs returning home and Anna, now
safely reunited with her son, deciding to pursue a new life in the bold new Russia.
Samarin has escaped into the distance. This story is an epic drama of desire
and sacrifice, full of hot blood and magnetic characters, played out against one
of the most remote landscapes on earth. |
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James Meek
is an award winning journalist and the author of 'The People's Act of Love' (Canongate),
2005. James Meek was born in London in 1962and grew up in Dundee. He has published
two novels, 'McFarlane Boils The Sea' and 'Drivetime', and two collections of
short stories, 'Last Orders' and, most recently, 'The Museuem of Doubt'. He contributed
to the acclaimed Rebel Inc anthologies 'The Children of Albion Rovers' and 'The
Rovers Return'. He
has worked as a newspaper reporter since 1985. He lived in the former Soviet Union
from 1991 to 1999. He now lives in London, where he writes for the Guardian, and
contributes to the 'London Review of Books' and 'Granta'. In 2004 his reporting
from Iraq and about Guantanamo Bay won a number of British and international awards.
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